Dopamine v1.1.2 AAX VST VST3 x86 x64 WiN CE V.R, x86 x64 vst3 plugins vst plugins aax plugins, x86, x64, Win, VST3, VST, V.R, Dopamine, CE, AAX

Dopamine v1.1.2 WiN

Team V.R | Oct 29 2017 | 71.8 MB

AAX* VST VST3 x86 x64

DOPAMINE: the new way to enhance your tracks

DOPAMINE is the emulation of two classic tape encoding processors, used as enhancers. It is designed to revive individual tracks as well as complex mixes while preserving their natural tone. DOPAMINE does not introduce unpleasant artefacts like the exciters do: in fact it dynamically balances the harmonics that naturally exist in the original audio rather than generating non-existent harmonics by synthesizing them.

– Replicates the enhancing side of the tape noise reduction units
– Simulates two classic processors: the 180 and the 361
– Simulates two cartridges: the A-Type and the Stressor
– Naturally enhances the audio by balancing the harmonic content
– Allows to tweak the dynamic action of the effect
– Very low cpu usage: you can open the plugin on each track of the session with a negligible cpu load
– Lots of presets designed in real mixing sessions

Dopamine v1.1.2 AAX VST VST3 x86 x64 WiN CE-V.R

XenoVerb v1.0.4 AAX VST x86 x64 WiN CE V.R, x86 x64 windows vst plugins aax plugins, XenoVerb, x86, x64, Win, VST, V.R, Springy, Shimmer, Room, Reverb, Processor, Plate 2, Plate 1, Hall, Glass, Formant, Flow, CE, Bode, AAX

XenoVerb v1.0.4 WiN

Team V.R | Oct 29 2017 | 10.3 MB

AAX* VST x86 x64

XenoVerb is a versatile reverb processor featuring both classic and creative reverb algorithms delivering a wide range of reverbs with a clean and simple interface.

•ROOM: A flexible room algorithm useful to create classic environments ranging from small studios to large dancing clubs.
•HALL: A classic yet versatile hall reverb ranging from small concert venues to huge canyons. The smooth reflections and soft building tail are beautiful on pianos, drums and vocals.
•PLATE 1: A simplified version of a classic plate algorithm found in late ‘70s hardware processors.
•PLATE 2: An extended version of a classic plate algorithm found in late ‘70s hardware processors. Very smooth, great on vocals, drums and pads.
•SPRINGY: A fully algorithmic spring tank reverberator. Dirty, ringing and metallic, great on guitars and to add sparkle to synth and percussions.
•GLASS (FDN): A modern highly diffusive and transparent reverb. This versatile algorithm can be used on any source material and can range from small ambiences to outer world spaces.
•FLOW: A lush, smooth, hugely diffusive creative reverb based on the ‘90s hardware processors, where a lot of allpass blocks were used to create dense late reverberation. The result is a lush, soft •building reverb, great for pads, guitars, voices and creative sound design.
•SHIMMER: A smooth reverb with a dual pitch shifter in a feedback loop creates an evolving harmonizing soundscape. That’s a classic effect pioneered by Eno, Lanois and U2’s The Edge.
•BODE: A weird sound design oriented algorithm made by placing a frequency shifter in the reverb feedback loop. Useful to create metallic resonances and drones.
•FORMANT: A creative reverb algorithm featuring a formant filter before the reverb tank.

•10 Reverb Algorithms:
•Room, Hall, Plate 1, Plate 2, Springy, Glass, Flow, Shimmer, Bode, Formant
•Over 250 presets
•Pre Delay
•Tone Control
•Reverb Freeze
•Soft Limiter

v1.0.4 (October 2017)
– FIX: Parameter label not updating during automations
– FIX: Improved modulations for several algorithms
– FIX: Fixed stereo image on Glass algorithm
– FIX: Pre Delay not correctly updated when randomized

v1.0.3 (September 2017)
– FIX: Room algorithm randomly crashing at higher sample rates

v1.0.2 (September 2017)
– FIX: Channel initialization causing a spike
– FIX: Improved file size

v1.0.1 (September 2017)
– FIX: Plugin crashing on some configurations

v1.0 (September 2017)
– Original release

XenoVerb v1.0.4 AAX VST x86 x64 WiN CE-V.R

GrainSpace v1.2.0 VST AAX x86 x64 WiN V.R, x86 x64 windows vst plugins aax plugins, x86, x64, Win, VST, V.R, Smear, Reverb, Processor, Granular, GrainSpace, Grain, AAX

GrainSpace v1.2.0 WiN

Team V.R | Oct 29 2017 | 9.29 MB


GrainSpace is a granular processor focused on real-time granularization and reverberation of the incoming audio signal. GrainSpace provides dynamic grain generation (up to 32 per channel), 7 grain parameters, 3 grain modulators (including an 11 waveforms LFO), smearing and reverb to create crazy sound effects, rich textures and much more.

– Real-Time Granular Engine
– Recording Buffer of 2 seconds
– Playback modes: Stereo, Mono (L+R), Side
– Up to 32 grains per channel
– Grain Size up to 500ms
– 7 Grain Parameters (Size, Distance, Pitch, Feedback, Freeze, Position and Stretch)
– 3 Grain Modulators (LFO, Random Size, Random Pitch)
– Tempo sync’d LFO with 11 waveforms
– Smearing
– Reverb

v1.2 (October 2017)
– FIX: Menus getting keyboard focus
– FIX: Freeze button always on when randomized
– FIX: Wrong init value for LFO polarity
– NEW: Dotted and Triples LFO rates
– NEW: Distance modulation
– IMP: Reduced file size


GrainSpace v1.2.0 VST AAX x86 x64 WiN-V.R

Deleight v1.1 AAX VST x86 x64 WiN CE V.R, x86 x64 windows vst plugins aax plugins, x86, x64, Win, VST, V.R, reverbs, Reverb, multi voice, flangers, Early, doublers, Deleight, choruses, Chorus, CE, AAX

Deleight v1.1 WiN

Team V.R | Oct 29 2017 | 3.33 MB

(Win32/64; AAX*, VST)

Deleight is a stereo multi tap delay processor based on late ’90s digital delays hardware processors. Deleight can deliver multiple delay-based effects, ranging from simple echoes to multi-voice choruses, flangers, doublers, early reverbs and more. Enable Loop mode to set Deleight as a looper device, with Speed and Reverse controls, to create special effects and textures.

•Stereo Multi Tap Delay (4+4 Taps)
•Delay Buffer of 5 seconds
•7 Time Ranges
•Tempo Sync
•Left, Right and Feedback channels
•Normal and Cross channel feedback modes
•LFO with 11 waveforms
•Channel Linking
•Loop Mode (with Speed and Reverse controls)
•Resizeable User Interface
•Inline User Manual

Deleight v1.1 AAX VST x86 x64 WiN CE-V.R

Harmonic Maximizer v1.1.0 AAX VST x86 x84 WiN CE V.R, x86 x64 windows vst plugins aax plugins, x86, x84, Win, VST, V.R, Maximizer, Harmonic, CE, AAX

Harmonic Maximizer v1.1.0 WiN

Team V.R | Oct 29 2017 | 3 MB

(Win32/64, VST, AAX(MODiFiED)

Harmonic Maximizer is a multi-band exciter and loudness shaping plugin that will make your tracks powerful and more alive.

– Multi-band Exciter
– Loudness Maximizer
– Auto Gain + Auto Release
– Saturation
– Blending

v1.1 (July 2017)
– NEW: HQ Mode (4x polynomial oversampling)
– Improved meters

Harmonic Maximizer v1.1.0 AAX VST x86 x84 WiN CE-V.R

dearVR pro v1.0 AAX VST VST3 x86 x64 WiN FiXED CE V.R, x86 x64 windows vst3 plugins vst plugins aax plugins, x86, x64, Win, Warehouse, VST3, VST, Virtual Reality, V.R, staircase, Reverb, Pro, outdoor, Fixed, dearVR, Church, Cellar, CE, booth, BINAURAL STEREO, Binaural, Bathroom, Arena, AAX, 3D binaural, 3D Audio, 2D Stereo

dearVR pro v1.0 WiN

TEAM V.R | Oct 29 2017 | 84.4 MB

FiXED / AAX VST VST3 x86 x64

Dear Reality’s state-of-the-art algorithms have been a mainstay of 3D audio production for years. Now, for the first time, their spatial processing treasure chest has been made available in an all-in-one plugin for your DAW: dearVR pro. Say goodbye to expensive middleware, unwieldy software bundles and complex routing schemes. All the tools you need to create stunning, immersive 3D audio for virtual reality (VR) and augmented reality (AR) video, films and games are included in dearVR pro’s powerful yet fast and intuitive interface.

Two modes of operation let you choose how to work. Simply drag your mouse around using the plugin’s graphical XYZ pad to position a track’s sound anywhere in a 3D soundstage—behind or in front of the listener, above or below their head, to the left or right, closer or farther away. Or use separate sliders for adjusting the sound’s elevation, azimuth and distance from the listener. dearVR pro provides 46 vivid virtual acoustic environments, featuring true to life 3D imaging and depth, in which to place an object’s sound and move it around in real time. Among the many selections to choose from are concert halls, car interiors, variously sized rooms, and a church, cellar, staircase, bathroom, booth, warehouse, arena, outdoor street and live stage. Each environment is instantly and independently recallable per plugin instance, letting you place each object’s sound in a different space.

•State-of-the-art processing allows any multitrack session to be mixed in 3D, delivering a true to life immersive soundscape with binaural or Ambisonic playback
•No ancillary software or external routing is required—all processors are contained in a single plugin
•Position and move an object’s sound in real time in a virtual 3D environment using a graphical XYZ pad or separate sliders for adjusting the sound’s azimuth, elevation and distance to the listener
•Includes 46 vivid virtual acoustic environments to choose from, each independently recallable per plugin instance
•Controls for virtual environments adjust their size; damping; balance of early reflections and diffuse reverb; and distance of walls, ceiling and floor to listener
•Powerful Realtime Auralization mode continually changes the delay times and directions of arrival for early reflections as you move an object’s sound around in its virtual space
•Occlusion control realistically adjusts the sound of an object being blocked by another virtual object in line of sight to the listener
•Separate controls scale parameter ranges for azimuth and distance to maintain perfect sync between audio and corresponding virtual objects in motion
•Outputs audio in eight different formats: 2-channel binaural (for 3D playback using standard headphones); 4-channel first order, 9-channel second order and 16-channel third order Ambisonics •output in either AmbiX or Furse Malham (FuMA) format; and 2D stereo

Fixed AAX & VST3 64-bit

dearVR pro v1.0 AAX VST VST3 x86 x64 WiN CE-V.R

Focus v1.0.1 AU AAX VST VST3 x86 x64 WiN MAC, x86 x64 windows vst3 plugins vst plugins macos plugins au for mac aax plugins, x86, x64, Win, VST3, VST, P2P, MAC, Focus, AU, AAX

Focus v1.0.1 WiN MAC

P2P | 29.10.2017 | WiN+MAC: 13.3 MB

AU AAX VST VST3 x86 x64

Easily Add Clarity & Depth to your Master Using Psychoacoustics. We designed Focus to make one of the mastering industry secrets available to you using psychoacoustics – right out of the box. Focus takes care of all the wizardry behind the scenes, creating this psychoacoustic processing chain while keeping the effect mono-compatible. All you have to do is to adjust the filterband to highlight any important elements in your master you want to stand out. This technique can take your mix into a completely new sonic realm, making your kick drums punch through and helping lead vocals and instruments sit effortlessly in the mix.

+ Well guarded mastering secret revealed
+ Bring out elements in your master in a new way
+ Analog modeled filters and summing
+ Extremely light on CPU and RAM
+ Mastering is the key to giving a well balanced mix the final push to make it stand out. However, many commercial releases seem to have a level of depth and clarity that seems extremely difficult to achieve

Focus v1.0.1 AU AAX VST VST3 x86 x64 WiN MAC

Percolate v1.0.1 AAX AU VST VST3 x86 x64 WiN MAC, x86 x64 windows vst3 plugins vst plugins macos plugins au for mac aax plugins, x86, x64, Win, VST3, VST, Percolate, P2P, MAC, AU, AAX

Percolate v1.0.1 WiN MAC

P2P | 29.10.2017 | WiN+MAC: 9.77 MB

AAX AU VST VST3 x86 x64

Extremely Tight Drum Recordings & Percussion Loops in a Matter of a Few Clicks. Many modern music genres rely on groovy and danceable sounding drums and percussion. But because many drum and percussion loops come pre-mixed with different elements combined in a single track, it can be very difficult to make them work in a busy mix. We designed Percolate to help you separate and target the snare, hi-hat and percussion parts of such loops, providing you with an easy and fast workflow to create a balanced drum or percussion mix. Percolate uses analog modelled filters that separate the relevant frequency ranges in a very transparent way, and can be used in combination with our KickBox plug-in to target the whole drum or percussion section in your mix.

+ Fast and intuitive workflow
+ Analog modeled filters
+ Suited for electronic and acoustic drums and percussion
+ Extremely light on CPU and RAM

Percolate v1.0.1 AAX AU VST VST3 x86 x64 WiN MAC

Cyclone v1.0.1 AU AAX VST VST3 x86 x64 WiN MAC, windows vst plugins macos plugins au for mac aax plugins, x86, x64, Win, VST3, VST, P2P, MAC, Cyclone, AU, AAX

Cyclone v1.0.1 WiN MAC

P2P | 29.10.2017 | WiN+MAC: 24 MB


The Cyclone was born… A compressor diverse enough to glue sub groups, add groove to percussion, warm up synths and guitars, and add the final touch of magic at the mastering stage. Also our algorithm and code are so precise and specific to the task at hand, that the Cyclone is super light on your CPU, meaning you can run multiple instances with ease. The Cyclone interface has been designed for ease of use, with the controls laid out from left to right in a typical order that most engineers will follow when making adjustments, enabling you to speed up your workflow.

The saturation is tape style soft clipping with 100% stereo linking, when applied equally to both channels. This preserves the stereo image making the Cyclone perfect for mastering. The intensity of the saturation is dependent on the threshold and ratio of the compressor, or to the potential gain reduction of the compressor, with the saturation knob itself being responsible for mixing in the saturation. As the saturation effect is dependent on the compressors threshold and ratio settings. This means that the harder the ratio and threshold parameters are pushed, the more pronounced the saturation effect will be. You can then use the saturation control to dial in a value that works with your mix. When the saturation parameter is set to zero, there will be no saturation. Conversely when the parameter is set to full, the maximum saturation will be added based on the positioning of the threshold and ratio controls. In addition, the saturation is smoothed out in a way it mimics “tape hysterisis”.

Mid/Side Processing
The Mid/Side functionality of the Cyclone allows you to process the stereo information independently from the mono information. This is useful when a mixdown requires a wider feel to the stereo image, or the mid (mono) information greater definition from the sides, to achieve a better result during playback on mono sound systems. The Mid/Side function is perfect for adding additional sparkle to a well mixed track, and also gives the user great control to correct any irregularities in the stereo image.

Solo Channel
When creating the Cyclone, we realised that a solo function much the same as you will find in your DAW, is actually much more useful when making changes than a simple bypass button, although a anti click global bypass parameter has been added to the unit as well. The solo buttons will allow you to singularly monitor the left or right side channel whilst you are in Stereo mode, or monitor the mid information or the side information independently when in Mid/Side mode. This results in a quicker, more precise work flow when compressing the mix.

Channel Linking
The channel linking is set up as default when the plugin is first opened which makes the editing process quicker. If however you unlink the channels and make amends, but then later decide to link the channels, the first control amended will cause the opposite side control to reflect the changes. Many compressors will make a direct copy from left to right when the channel link button is pressed. When linking is set up in this way, it provides a very rigid user experience, with users often finding they lose the settings they wanted to keep.

Our intelligent linking system makes linked editing much more flexible and intuitive for the user.

The gain reduction caused by the compression will be equal in both channels if the settings are the same, whether the controls are linked or not. This prevents the center of the stereo image moving around if the signals differ from each other. That being said, if you apply different settings to the two channels, the gain reduction will be different, but because of the hidden stereo linking function, the center of the stereo image will move in a predictable and controlled manner, which is essential when mastering.

Cyclone v1.0.1 AU AAX VST VST3 x86 x64 WiN MAC

Stage v1.0 AAX VST VST3 x86 x64 WiN CE V.R, x86 x64 windows vst3 plugins vst plugins aax plugins, x86, x64, Win, VST3, VST, V.R, Stereo Spatial, Stereo, Stage, Spatial, CE, AAX

Stage v1.0 WiN

TEAM V.R | Oct 28 2017 | 17.2 MB

AAX VST VST3 x86 x64

Stage – a plugin that uses trailblazing stereo-spatial processing methods to take good mixes and masters, and make them great. And The Stage Is Set! Simply put, stage is here to give your mixes that final shine and depth you’ve heard on countless records, drawing out an inherent character you might not have even known your sounds possessed. By leveraging subtle delays, internal phase augmentation and modulation techniques, you can now effortlessly emphasize the natural depth and space of any natural recording or synthesized element. The result is an increase in overall definition and perceived size – all elusive qualities that in the end contribute to a type of sonic weight that will quickly become indispensable to your audio toolkit. And just how is this possible? Under stage’s hood are mighty psychoacoustic algorithms that power the innovative panning and stereo alteration controls, giving engineers, sound designers, and electronic musicians the ability to sculpt their stereo image with minimal effort and maximum precision. Arrange your tracks from left to right, front to back or even diagonally if you like; enhance the ambience of your masters or go for wildly modulated effects. stage can do it all!

•Versatile acoustical enhancement for a large variety of sources – from single tracks to full mixes
•Remarkable stereophonic augmentation that expands the potential of internal M/S processing while increasing perceived depth, size and texture
•Input section, with stereo corrective tools like M/S blend and L/R tilt, easily and quickly changes the balance between mid, side, left and right information of the source material
•Pan section with two sophisticated algorithms that allow for accurate panoramic adjustment of mono and stereo sources
•Ambience section that facilitates subtle or extreme stereo width enhancement, tone coloration, and creative frequency modulation effects
•Perceptually optimized and source-dependent Colour module that features four intelligent filters for fine tuning the processed sound
•LFO module features two LFOs that can create anything from subtle motion to wild modulation effects
•GUI contains a virtual soundstage to intuitively visualize and adjust all spatial parameters
•An innovative routing system that allows for the wet and dry signals to be monitored either in tandem or separately

Stage v1.0 AAX VST VST3 x86 x64 WiN CE-V.R


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