Audio Hijack v3.3.3 MAC OSX, macos software audio, P2P, MAC OSX, Audio Hijack, Audio

Audio Hijack v3.3.3 MAC

P2P | 17 May 2017 | 16 MB

Audio Hijack Pro drastically changes the way you use audio on your computer, giving you the freedom to listen to audio when you want and how you want. Record and enhance any audio with Audio Hijack Pro – it’s the cornerstone of your digital audio experience.Audio Hijack Pro will allow you to record any application’s audio, from internet streams to DVD audio and everywhere in between. If your machine can play it, Audio Hijack Pro can record it. And that’s not all – Audio Hijack Pro will also enhance any audio, unsing industry-standard VST and AudioUnit audio effects to make your music sound incredible. Record. Enhance. Enjoy!

Audio Hijack v3.3.3 MAC OSX, macos software audio, P2P, MAC OSX, Audio Hijack, Audio

Changues: http://redi.se/33nr
INFO/DEMO: http://redi.se/cmn
Audio Hijack v3.3.3 MAC OSX
http://beelink.in/16680/Audio-Hijack-v3.3.3-MAC-OSX.html

SCAMP v1.3.1 AU VST WiN MAC R2R, windows vst plugins macos plugins au for mac admiral quality vst, Win, VST, SCAMP, R2R, MAC, AU

SCAMP VST v1.3.1 WiN MAC

TEAM R2R 2014.12.15 | WiN: 2.8 MB | MAC: 4.23 MB

SCAMP is a resonant low/high-pass filter plug-in VST effect for Windows with a very convincing, classic sound. SCAMP features a separate envelope follower for each of 6 channels, a host-syncable LFO with multiple waveforms, as well as our special Gliss-quanti feature for creating staircased LFO waveforms from the basic waveshapes. Also supported is full automation and MIDI CC control of all parameters.

SCAMP more closely models the actual circuit paths of real world analog circuits than most other common digital filter designs. For this reason it is also a far more processor-intensive effect, expect SCAMP to require processing power similar to the level of a powerful soft-synth. It may not be for every day use (or it may well be, depending on the type of music you make!) but on those days when you really want “the vintage filter sound”, SCAMP is the way to get it!

Many other filter designs, while more computationally efficient, don’t actually model the real-world operation of the circuit at all. Rather, they re-produce a “characterization” of the filter’s response. While this method actually performs quite well “on paper”, and can produce very transparent and precisely controlled digital filters, these qualities just aren’t well suited to re-creating that classic analog warmth that so many musicians seek. It was essentially the flaws and design sacrifices of the original analog circuits which gave them the sound. For SCAMP, we’ve done our best to make your computer believe that it is an analog circuit, as flawed, imperfect and full of warmth as the classic gear that inspired its development.

Rather than reproducing a theoretical characterization of a real filter’s performance with techniques that really have nothing to do with how the actual device works, SCAMP instead uses a brute force, simulation-based approach that essentially duplicates the signal flow of the real analog item, but without any mathematical over-simplification or characterization. What happens to the sound processed by SCAMP happens only because the raw physics of the real circuit are being simulated. This simulation runs internally at a highly oversampled rate to duplicate the behavior of the real circuit across the entire range of human hearing — and even beyond! (SCAMP exhibits similar artifacts to those that real analog filters create when strong resonant peaks are created at the highest, ultrasonic cutoff frequencies. Generally you will want to avoid these artifacts, but they can be used to create distortion effects if you wish!)

The simulation technique used in SCAMP has proven to produce a very authentic sound, virtually duplicating the same imperfections and distortion qualities that gave the famous classic analog filters their characteristic “warmth”. With a real resonance feedback loop that actually “rings”, a powerful set of controls for modulating the filter and a strong emphasis on real-time performance and MIDI compatibility, SCAMP is a re-creation of a classic filter effect that never was.

SCAMP is perfectly suited for re-creating the sounds made by running external audio through an analog synthesizer’s filters. While external audio processing is also offered by some other high-priced soft-synth products, it is now available as a very affordable stand-alone effect that’s specialized to the task, with a quality and authenticity unmatched even by the big-boys. Whether used on a single instrument track, or for processing an entire mix, SCAMP will dramatically alter your audio with a classic flavor. If you have an appreciation for the sound, behavior and quirks of vintage analog filters that you haven’t yet seen duplicated by software, SCAMP may be the effect plug-in you’ve been waiting for.

INFO/DEMO: http://redi.se/32vn
SCAMP v1.3.1 AU VST WiN MAC-R2R
http://beelink.in/19304/SCAMP-v1.3.1-AU-VST-WiN-MAC-R2R.html

Audition CC 2017 v10.1.1.11 MAC P2P, macos software audio, Win, TNT, MAC, CC, Audition CC 2017, Audition CC, Audition, 2017

Audition CC 2017 v10.1.1.11 MAC

P2P | 17 May 2017 | 840 MB

Audition CC. A professional audio workstation for mixing, finishing, and precision editing. Mix, edit, and create audio content with a comprehensive toolset that includes multitrack, waveform, and spectral display. This powerful audio workstation is designed to accelerate video production workflows and audio finishing and deliver a polished mix with pristine sound.

What is Audition CC?
Meet the industrys best audio clean-up, restoration, and precision editing tool for video, podcasting, and sound effect design.

Ready. Set. Get Started.
This step-by-step tutorial guides you through the robust audio toolkit that is Audition CC and its seamless workflow with Premiere Pro CC.

Add oomph to your audio.
Use the Essential Sound panel to achieve professional-quality audio… even if youre not a professional.

Whats New in Audition CC (2017):
– Essential Sound panel
– Export directly from Audition with Media Encoder
– Remix and adjust the duration of a song
– Generate synthesized speech
– Automatic loudness correction
– Dynamic Link for streaming video content from Premiere Pro
– Live relinking
– Dual display full-screen video
– Auto-backup to Creative Cloud
– Marker import and export
– Automatic copying of imported assets to session folder
– Timed recordings
– Refined user interface with HiDPI support
– Expanded video format support
– Enhanced Speech Volume Leveler
– iXML metadata support
– Improved video performance
– Ability to read Soundbooth files
– Dolby Digital support
– Custom channelization
– Enhanced multitrack environment
– Sound Remover effect
– Click/Pop Eliminator and DeClicker effects
– Generate Noise effect
– ITU Loudness Meter
– Scientific Filter effect
– Stereo Expander effect
– Pitch Bender and Pitch Shifter effects
– Preview editor
– Frequency band splitter
– Edit waveforms with Spectral Frequency Display
– Smart track colors
– Paste clips to multitrack session
– Merge clips
– Phase Analysis panel
– Edit Favorites
– Extract CD tracks to a single file
– Broadcast-quality audio
– Audition CC: 64-bit
– Faster, more precise editing
– Skip Selection playback
– Real-time clip stretching
– Automatic speech alignment
– Control surface support and parameter automation
– Pitch controls
– New effects, VST3 support and flexible effects routing
– Enhanced radio automation support
– Metronome

Audition CC 2017 (November 2016 release)
Audition CC offers you the most robust audio toolkit in the film industry with advanced features that enhance your audio quality and overall efficiency of editing audio. Use the Essential Sound panel to make common adjustments to obtain professional-quality results even if you are not a professional audio editor and send projects directly to Media Encoder for rendering and publishing. Dynamic Link enables a seamless, near-lossless workflow between Premiere Pro and Audition. Spectral editing tools transform soundscapes into visual workspaces. Automatic Speech Alignment, Noise Reduction tools, and Automatic Loudness Correction are among the premium solutions uniquely native to Audition.

INFO/DEMO: https://goo.gl/7uwb6J
Audition CC 2017 v10.1.1.11 MAC
http://beelink.in/29721/Audition-CC-2017-v10.1.1.11-MAC.html

Djenthuggah Drums WiN MAC, x86 plugins vsti x64 plugins vsti windows vsti vst plugins macos plugins au for mac, x86, x64, Win, VSTi, VST, MAC, Drums, Djenthuggah, AU

Djenthuggah Drums WiN MAC

FANTASTiC | 16 May 2017 | 107 MB

AU/VST/VSTi/x86/x64

Djent. Thall. Elite. Djenthuggah Drums might be small in file size and articulations but it packs all the power to cut through any dense modern metal mix. This Kumu Birch Custom kit likes to be played loud and in fact it sounds so good loud, we actually left out all the ghost notes and medium hits. This is metal, not jazz. The kit was inspired by the modern metal heavyweights such as Meshuggah, Periphery, Animals As Leaders, & Born Of Osiris to name a few.

PLEASE NOTE: Djenthuggah Drums contains shells only, no cymbals.

Snare: Kumu Birch Custom 14″ x 5,5″, SuperWoodHoop
Toms: Kumu Birch Custom 10″ x 7″, 12″ x 8, 14″ x 12″, PowerHoop
Kick: Kumu Birch Custom 20″ x 16″, SideHoleOver 50 samples. VST/AU support, TCI & Gog files included.

INFO/DEMO: http://redi.se/3h9t
Djenthuggah Drums WiN MAC
http://beelink.in/32557/Djenthuggah-Drums-WiN-MAC.html

ValhallaPlate v1.5.0.25 WiN MAC, x86 x64 windows vst plugins plugins rtas macos plugins au for mac, x86, x64, Win, VST, ValhallaPlate, Valhalla, RTAS, Reverb, Plate, P2P, MAC, AU, 64Bit, 32Bit

ValhallaPlate v1.5.0 WiN MAC

P2P | 12.05.2017 | WiN: 3.77 MB

R2R-based | AU/VST/RTAS 32/64 | MAC: 11.14 MB

ValhallaPlate is our algorithmic take on the classic plate reverberation sound. Twelve original algorithms emulate the sound and behavior of real world steel plate reverbs, and take the sound into dimensions that physical plates can’t touch.

  • ValhallaPlate realistically models the physics of plate reverbs:
    • High diffusion, for reverbs that have maximally high echo density.
    • Frequency dependent decay time, for huge lows and clear highs, under the control of a single Decay parameter.
    • Dispersion, for creating 3D imaging in the decay. The reverb comes from outside the speakers, and decays into the depths behind the speakers.
  • ValhallaPlate extends the plate reverb into dimensions that real plates can’t reach:
    • Variable size, to control how metallic a reverb mode sounds. Small sizes result in more metallic delays, while larger sizes sound clearer.
    • Lush modulation, that eliminates any metallic artifacts, while retaining the pitch of the input.
  • Twelve original reverberation algorithms (5 new algorithms added to version 1.5.0):
    • Four reverb modes (Chrome, Steel, Brass, Cobalt) that emulate “true stereo” plates, with 2 input drivers and 2 output pickups.
    • Three reverb modes (Adamantium, Titanium, Osmium)  that emulate the traditional mono-in, stereo-out plates. These modes have the resonance density found in real plate reverberators.
    • Five reverb modes (Aluminum, Copper, Unobtanium, Radium, Lithium) that combine the 3D dispersive characteristics of steel plates with the high resonance density found in reverberation chambers.
    • All of the modes can be run as a mono-in/mono-out, mono-in/stereo-out, or stereo-in/stereo-out plugin.
  • ValhallaPlate builds upon the Valhalla DSP plugin heritage:
    • Minimalist, resizable 2D GUI, with self-documenting tool tip area.
    • A comprehensive preset browser makes saving, recalling and sharing settings easy.
    • Fully compatible with 32 and 64 bit DAWs (32/64 bit VST for OSX and Windows, 32/64 bit Audio Units for OSX, 32-bit RTAS for OSX and Windows, 64-bit AAX for OSX and Windows).
    • Low CPU usage! You can use all the instances you need without your computer slowing down.

INFO/DEMO: http://redi.se/3h8z
ValhallaPlate v1.5.0.25 WiN MAC
http://beelink.in/32511/ValhallaPlate-v1.5.0-WiN-MAC.html

Valhalla VintageVerb v1.7.1 WiN MAC, x86 x64 windows vst plugins plugins rtas macos plugins au for mac, x86, x64, Win, VST, VintageVerb, Vintage, Verb, Valhalla, RTAS, Reverb, MAC, AU, 64Bit, 32Bit

VintageVerb v1.7.1 WiN MAC

P2P | 15.05.2017 | WiN: 4.16 MB

R2R-based | AU/VST/RTAS 32/64 | MAC: 11.50 MB

ValhallaVintageVerb is a postmodern reverb plugin, inspired by the classic hardware digital reverbs of the 1970s and 1980s. New in ValhallaVintageVerb 1.7.1: Two new reverb modes, Chaotic Hall and Chaotic Chamber!

17 Reverb Algorithms:

  • Concert Hall. Based on the hall algorithms of the late 1970s and early 1980s. Huge spatial image, echo density that can be adjusted from very sparse to very dense, and lush chorusing modulation.
  • Bright Hall. Similar to the Concert Hall algorithm, but with a brighter initial sound, and deeper and lusher modulation.
  • Plate. Inspired by early 1980s plate algorithms. Highly diffuse, bright initial sound, high echo density, lush chorused modulation.
  • Room. Emulates the sound of early 1980s room algorithms. Medium diffusion/early echo density, somewhat darker sound, chorused modulation.
  • Chamber. A transparent and dense algorithm. Highly diffuse, high echo density, less coloration than Plate/Room algorithms, chorused modulation.
  • Random Space. This generates DEEP and WIDE reverbs, with a slow attack, and more diffusion than the late 1980s algorithms that inspired it. The modulation uses internal delay randomization, to reduce metallic artifacts without the pitch change that can occur in the algorithms with chorused modulation.
  • Chorus Space. Same as Random Space, but with the delay randomization replaced with lush chorused modulation.
  • Ambience. Combines time varying randomized early reflections with a full-featured reverb tail, with the balance between early and late reverb controlled by the Attack knob. Useful for adding “air” to drums, vocals, and any place where a reverb should be felt but not heard.
  • Sanctuary. Inspired by a classic German digital reverberator from the 1970s. Discrete early reflections, a dense late reverb that rapidly builds in echo density, lush detuned modulation. Sanctuary incorporates the bit reduction and floating-point gain control used in the A/D and D/A convertors of the early digital hardware.
  • Dirty Hall. A fresh look at the Concert Hall algorithm, with the goal being to emulate the strange fixed point and convertor artifacts of early 80s reverb hardware. Lusher and denser than the Concert Hall algorithm, with loads of warmth and grit on tap, for a roughly hewn beauty. Plug in your analog synth and send yourself into retro sci-fi heaven.
  • Dirty Plate. All the warm and gritty artifacts of Dirty Hall, applied to an old-school digital plate algorithm. High echo density, wide stereo image, and just the right amount of metallic sheen. Drums come alive when sent through Dirty Plate.
  • Smooth Plate. The complete opposite of Dirty Plate. Smooth decay at all settings, from short to near-eternal. Lush chorusing, with none of the metal found in Dirty Plate. The most transparent and naturalistic reverb in ValhallaVintageVerb. Crank up the Size parameter, and float off into space!
  • Smooth Room. A smooth and transparent room reverb, in the Smooth Plate style. Useful for emulating the Room/Hall algorithms of late 1980s hardware, as well as getting clear reverberation with low amounts of coloration.
  • Smooth Random. A random room/hall algorithm, with transparent decays that can be adjusted from tiny to huge. Randomized delay modulation, similar to Random Space, but with a much tighter initial attack and smoother decay. A good “jack of all trades” reverb algorithm.
  • Nonlin. Gated, reverse, and nonlinear reverbs are all on tap here. Use Size to control the duration of the reverb, and Attack to smoothly interpolate between a truncated reverb, a “flat” gated decay, and huge reverse reverbs. Lush chorusing modulation on tap, for your shoegazing needs.
  • Chaotic Hall (new in 1.7.1). A chaotic take on the Concert Hall algorithm, with modulation and saturation artifacts inspired by classic tape echoes. Lush and warm, with subtle wow and flutter chorusing that adds depth without making your reverb seasick.
  • Chaotic Chamber (new in 1.7.1). Smooth and chaotic at the same time. A relatively “dimensionless” reverb algorithm, that adds depth to your sound. Wow and flutter modulation, subtle tape saturation. Use this algorithm on pretty much any input, and it will sound good.

3 Color Modes for dialing in the tone color and sonic artifacts of a specific reverb era:

  • 1970s. Replicates the reduced bandwidth of the earliest digital reverberators (10 kHz maximum output frequency). Downsampled internally, to reproduce the artifacts of running at a lower sampling rate. The modulation is dark and noisy, and can produce strange and random sidebands with sustained notes. This is intentional.
  • 1980s. Full bandwidth / sampling rate, for a brighter sound than the 1970s. The modulation is still dark and noisy, but will produce different artifacts than the 1970s mode as it is running at the full sampling rate.
  • NOW. Full bandwidth / sampling rate. The modulation is clean and colorless, versus the funky artifacts of the 1970s/1980s modes.

The interface has been designed to be instantly accessible and user friendly:

  • Streamlined set of powerful parameters, organized into logical categories.
  • All controls on one panel. No menu diving required.
  • Tooltips at the bottom of the plugin window, that describe the currently selected reverb mode and color mode, as well as any parameters the user is adjusting. The goal is for the plugin to be self-documenting.
  • A powerful cross-platform preset menu, with the ability to copy and paste presets in a text format. Share presets via emails, forum posts, etc.
  • Continuously resizable – just click on the lower right corner and drag to the desired size.
  • Modernist, minimalist 2D graphic design.
  • New in 1.7.1: Click on the “GUI Mode” text in the upper right corner of the NOW color mode, to switch between the original black-on-white color scheme, and the brand new white-on-black GUI.

INFO/DEMO: http://redi.se/3h91
Valhalla VintageVerb v1.7.1 WiN MAC
http://beelink.in/32513/Valhalla-VintageVerb-v1.7.1-WiN-MAC.html

ValhallaRoom v1.5.1 WiN MAC, x86 x64 windows vst plugins plugins rtas macos plugins au for mac, x86, x64, Win, VST, Valhalla Room, Valhalla, RTAS, Room, Reverb, AU, 64Bit, 32Bit

ValhallaRoom v1.5.1 WiN MAC

P2P | 15.05.2017 | VST x86 x64 | WiN: 3.46 MB

R2R-based | AU/VST/RTAS 32/64 | MAC: 11.19 MB

An algorithmic vision of perfection and precision. It’s Grade A class, Number One in its division. ValhallaRoom is a versatile, true stereo algorithmic reverb. It features twelve original reverberation algorithms (including the latest Dark reverb modes, Nostromo, Narcissus, Sulaco and LV-426), and produces a wide range of natural reverberation sounds. Sounds range from tight ambiences and rooms, through traditional hall and plate sounds, all the way up to vast modulated spaces. The algorithm designs have been influenced by some of the “classic” room simulation boxes, as well as state of the art modern theory.

Description:

  • Unique Early reverb section allows user to dial in subtle and short bursts of early reverberation energy, as well as gated reverbs up to 1 second in length.
  • The Late section produces natural reverb decays ranging from 0.1 seconds to 100 seconds. The decay can be controlled in 3 adjustable frequency bands.
  • Both Early and Late reverb sections have adjustable modulation, to produce sounds ranging from lush chorusing, to subtle and natural long decays.
  • ValhallaRoom is true stereo. The Early and Late reverb sections are both stereo-in, stereo-out. The spread of energy between the stereo channels can be controlled over time, which helps preserve the input spatial image.
  • The GUI has been designed for easy navigation, and is inspired by Joseph Müller-Brockmann, NASA control panels, and Sesame Street.
  • Resizable GUI. Make it really big, or really tiny, or whatever suits you best.
  • New in 1.5.1: Redesigned GUI! Better use of space, and 2 user-selectable color schemes (Electric Blue and Old School).
  • A comprehensive preset browser makes saving, recalling and sharing settings easy.
  • Fully compatible with 32 and 64 bit DAWs (32/64 bit VST for OSX and Windows, 32/64 bit Audio Units for OSX, 32-bit RTAS for OSX and Windows, 64-bit AAX for OSX and Windows).
  • Twelve original reverberation algorithms:
    • Large Room. Designed to emulate big rooms with a wide spatial impression, with smooth “detuning” modulation.
    • Medium Room. Sparser than Large Room, with a more random modulation.
    • Bright Room. A lush, shinier-than-life reverb, with deep modulation and a somewhat slower attack.
    • Large Chamber. Smooth decay with consistent high echo density and subtle detuning modulation.
    • Dark Room. A hybrid between the grungy early digital reverbs and the modern algorithms found in ValhallaRoom, with reduced high frequency content, noisy yet lush randomized modulation, a HUGE spatial image, echo density ranging from grungy to dense while retaining clarity, and tons of mojo.
    • Dark Chamber. Similar to the original Large Chamber algorithm, but bigger and darker, with deeper detuning modulation.
    • Dark Space. A HUGE dark space, with a somewhat sparser early echo density and deep detuning modulation.
    • Nostromo. Deep, dark, echoing reverb. Very sparse early echo density, slow density build, random modulation, wide spatial image.
    • Narcissus. Dark, lush, wide, with random modulation that quickly builds into rich chorusing. The little sibling of Nostromo, but it is still big. Designed for low CPU consumption.
    • Sulaco. Dark with lush modulation, and a well-centered stereo image. The Late Size control can sweep the reverb from tight rooms to vast echoing spaces.
    • LV-426. A dark, deep space reverb, with the wide spatial image of Nostromo and Narcissus, but with a much higher initial echo density than either of those reverbs. LV-426 has a somewhat slower attack than the other modes, and has highly diffuse random modulation for lush decays.
    • Dense Room. Similar to Large Room, but with a denser distribution of early echos, and a tone that is brighter while still having the “darkness” of the Dark algorithms. Great for snare drums!

INFO/DEMO: http://redi.se/3h90
ValhallaRoom v1.5.1 WiN MAC
http://beelink.in/32512/ValhallaRoom-v1.5.1-WiN-MAC.html

KCNCrew Pack 2017 05 15 UB macOS, mac ub plugins macos apps, UB, Pack, KCNCrew Pack, KCNCrew, 2017

KCNCrew Pack 2017 05 15 UB macOS, mac ub plugins macos apps, UB, Pack, KCNCrew Pack, KCNCrew, 2017

KCNCrew Pack 2017-05-15 UB macOS

P2P | 15.05.2017 | 5.62 MB

Database of serials, Crcks for MAC OS X

Here is the well-known KCNcrew Pack (database of serials, crcks for Mac OS X). It’s like Serial Box, which has SN’s, crcks and patches. It would be best to have both of these collections, as this Pack often has serials you cannot find in the Serial Box. However, there is no way to view what serials, cracks and patches are new in this issue as compared to the previous.

KCNCrew Pack 2017 05 15 UB macOS, mac ub plugins macos apps, UB, Pack, KCNCrew Pack, KCNCrew, 2017

Description: Open the dmg file, drag and drop the app where you like. However, there is no way to view what serials, crcks and patches are new in this issue as compared to the previous.
Mac Platform: UB
Includes: Only the application or game is included
OS version: Mac OS X 10.4 or later or maybe lower
Release Name: KCNCrew Pack 2017-05-15 UB macOS
http://beelink.in/17604/KCNCrew-Pack-2017-05-15-UB-macOS.html

MidiKit v4.2 macOS TNT, macos software audio apps, TNT, MidiKit, MIDI, macOS, MAC, Kit

MidiKit v4.2 macOS

TNT | 14 May 2017 | 3.94 MB

MidiKit is a MIDI file browser/editor and batch processor. The browser quickly displays the most significant information about MIDI files. The editor allows native SMF editing with unlimited undo/redo capacity. Finally, MidiKit allows you to apply several operations on your MIDI files by batch processing entire disks at a time.

What’s New in Version 4.2
– The text encoding of a MIDI document may now automatically be detected (requires OS X 10.10 o later).
– You can now convert a whole MIDI document text/lyrics to UTF-8.

Bug Fixes:
– Key signature meta event is now correctly handled.
– Fixed a crash which could occur when undoing an edit in a MIDI document.
– Fixed a crash which occurred when pasting data inside an empty MIDI document.
– Other bug fixes.

INFO/DEMO: http://redi.se/3h94
MidiKit v4.2 macOS-TNT
http://beelink.in/32525/-MidiKit-v4.2-macOS-TNT.html

Complete v9.6 9 May 2017 MAC, x86 x64 vsti vst3 plugins vst plugins plugins rtas macos software audio plugins au for mac aax plugins, VST3, VST, Standalone, RTAS, PlatenseSoul, MAC, Complete, AU, AAX, 64Bit, 32Bit, 2017

Complete v9.6 9 May 2017 MAC

PlatenseSoul | 10.05.2017 | 2.76 GB

AU/VST/VST3/AAX/RTAS/STANDALONE 32/64

eMotion LV1 is a revolutionary digital mixing console for front-of-house, monitor and broadcast engineers. Based on SoundGrid technology, this software mixer delivers the superior sound quality for which is renowned, as well as the quick and convenient workflow needed in demanding live environments.

Complete v9.6 9 May 2017 MAC, x86 x64 vsti vst3 plugins vst plugins plugins rtas macos software audio plugins au for mac aax plugins, VST3, VST, Standalone, RTAS, PlatenseSoul, MAC, Complete, AU, AAX, 64Bit, 32Bit, 2017

May 9th, 2017/Changues:
– The new Grand Rhapsody Piano available separately.

INFO/DEMO: https://goo.gl/Sm8ybq
Complete v9.6 9 May 2017 MAC
http://beelink.in/29882/Complete-v9.6-9-May-2017-MAC.html

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